forum performance tips song database e-cards MTA shop blog shows auditions

MTA Login
Main Menu
Home
Search
News Feeds
Links
Gift Center
Calendar
FAQs
Center Stage Club
Show Reviews
Performance Tips
Resources
Who's Online
Forum Statistics
Total user: 2561
Total message: 16443

 

 

Key Information About Belting PDF Print E-mail
Written by triplethreat   

The Truth About Belting

One of the most controversial issues in singing is called belting. In recent years, contemporary musical theatre shows have made wide use of belting. As a result of it's recent surge in popularity, the ability to belt has become highly sought after and "belting" has become one of the latest musical theatre buzzwords. But what is belting exactly?

Before you can begin to understand belting you must first understand the concept of chest and head vocal ranges. The head voice is used for the upper singable range, while the chest is used for the lower portion of your range. In most basic terms, belting involves singing notes that are normally in your upper range down in the chest voice. By forcing notes that are normally sung in the head voice back into the chest voice, singers are able to maintain the loud, rich sound normally associated only with these lower notes. This is a technique usually only used by women, but can be used by men as well.

Belting does not mean merely "singing loudly". Belting is not singing in the chest voice.

Q: Is it easier to belt high notes rather than singing them in the legit head voice?

A: Absolutely not! Your technique must be well developed before you try to belt or you can cause serious damage to your voice. Belting is very difficult to do properly. You should never belt a high note that you cannot sing quietly in the head voice first.

Q: I am 12-18 years old. Can I learn to belt?

A: Remember that a woman's voice does not completely mature until her early 30's, and from 12 to 18 a young woman's voice undergoes a great deal of change and instability. Your voice changes just as an adolescent male does, but it is less noticeable because it does not seem to affect your speaking voice. My personal recommendation is that you do not begin to train for belting until at least the age of 18.

Q: I want to learn to belt! Can you tell me how?

Unless it is something that comes naturally to you, belting is something best left for when your voice has had professionally training. Belting is dangerous because if done incorrectly, it puts an enormous strain on your throat and vocal chords. It requires tremendous strength, control, and talent to be both effective and at the same time not damaging. Do not attempt to belt without the supervision of a certified vocal instructor. This is not something that I can instruct you to do safely without meeting in person.

More Belting Resources

Description of Belting from Wikipedia

Comments (4) >> feed
...
written by Marge, November 30, 2007

Thank you so much for this. I was in a production of Once On This Island a few weeks ago, and I had a soprano descant at the end of the song "Pray". It was a solo and ended on a high A. The problem? We didn't have enough mikes to go around, so I had to do without. I've done mostly choral work in the past, with few solos, so I wasn't really prepared to be thrown headfirst into this. However, I thought I'd give it a shot. A week before opening night, we had practice and one of the pianists (who was also co-choral director, but had had very little to do with this production) was in the back of the auditorium flipping through the music as we sang. After the song "Pray" he called a cut and asked a single question. "Is someone supposed to have the descant at the end?" Needless to say, I was mortified. The other choral director gave me almost exactly the same advice as your article, and I rocked the house every night.

I know that my show is long over with, but thank you so much for posting these tips. I know I'm not the only young, rising star to have this problem, and this really helps.

...
written by Kaitlyn, December 13, 2007

great tips... thanks!

...
written by Lani Anderson, May 06, 2008

In the production i'm about to start rehearsing, my director (she may be wrong, as she says it might be another song) one of the two songs I have requires an almost constant belt. The song is about two minutes long, so it could be worse. Problem? I'm only fifteen. I don't want to ruin my voice before I really have a chance to get started... Ah well.

...
written by katie grooms, June 28, 2008

thanks! Question: I'm singing "Notice me Horton" for an audition on Monday, ( for Bob Cline, if any of you know of him) and I need to learn how to get more power to be louder ( my chest voice is quiet, but my head voice is loud.) how to I strengthen my chest voice?

Write comment

You must be logged in to a comment. Please register if you do not have an account yet.


busy
 
< Prev   Next >

 

Latest Blog Entries
* when it rains, it pours...
* My first blog
* Beauty and the Beast Casting
* me!
* Beauty and the Beast Audition

Applause For This SiteContact UsPrivacy PolicyLabelled With ICRAMusicalTheatreProduction.com